{"id":2394,"slug":"muzej-s-199-sosnami","title":"Музей с 199 соснами","publication_start_datetime":"2018-05-06T07:10:00+03:00","meta_title":"","meta_description":"","meta_keywords":"","og_title":null,"og_description":null,"og_type":null,"description":"","category":{"id":2,"title":"Архитектура","slug":"architecture","uri":"architecture","parent":null},"content":"

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Шанхайское бюро Vermilion Zhou Design Group закончилочастный Музей Звука в Пекине. Его особенность — продуманный окружающий ландшафт с 199 сосновыми деревьями, которые ритмично дополняют современную архитектуру.

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Общая площадь музейной территории— 22 000 кв. метров, комплекс построек освоил из них 2200, остальное — парк.

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Целью владельца было приспособить частное художественное пространство для публичного использования. Поэтому весь декор был убран, посажены сосны, деревянные постройки стали павильонами, а главное здание музея приобрело белый модернистский цвет и новые контуры.

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Авторы считают, что чистая геометрическая форма является наиболее объективным выражением западного логического мышления.

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Они соединили новыми коридорами и переходами постройки разной геометрии, создав между ними диалог и усложнили вертикальную циркуляцию объемов, дающую больше вариантов для пространства.
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\r\nМузея звука — частный художественный музей. Это своего рода «арт-контейнер», в котором «искусство» является основой, а архитектура служит в качестве дополнения. Архитекторы цитируют китайского философа Лао-Цзы, который сказал: «не вмешивайся извне во внутреннее». В будущем теми же приемами «арт-контейнер» можно легко продублировать в другом месте, считают они.

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Подобная архитектура позволяет гармонично продемонстрировать любое современное искусство, не споря с ним. Внутренний двор, окруженный сосновыми деревьями, служит своего рода живой декорацией, добавляя постройке смысла как внутреннего, так и внешнего.

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